The Prophet and the Goddess

I enjoy my own language, and when I come across a word which might not be so familiar to me, I like to check its meaning. So when in a written phrase I came across the word ‘tilth’, I reached for my [1]Shorter Oxford English Dictionary and discovered that tilth is “labour, work or effort, directed to useful or profitable ends.” It is derived from the term tillage, meaning soil that is tilled or ploughed before seed is sown, and comes (as you probably can guess) from farming methods of the Middle Ages.

A field is tilled, the seed is sown, and the crop can later be harvested. But if the field is instead used as a metaphor, can we be so certain that what we have sown is what we also shall reap?

The phrase which contains this term is: “Your women are a tilth for you, so go to your tilth as you will.” This is startling enough. It is not an implication, but a statement, and this statement plainly declares that women are to be viewed – and treated – by men as ploughed fields in which they can ‘sow their seed’ – a metaphor so obvious that it becomes literal –  ‘as you will’: as they want to, and whenever they feel like it. There is no arguing with this phrase, no ‘but it really means...’ type of protest possible. It says what it says, and what it says would seem to be a particularly crude example of arrogant male chauvinism.

Paul the apostle, as portrayed in the 17th-century by Rembrandt. Passages in Paul’s pastoral letters appearing in scripture give the impression that Paul was almost contemptuous of women, but these letters are now known to be anonymous later additions.

I wonder what you might now be thinking? Are you uncomfortably thinking that this phrase could come from some discreetly-overlooked verse of scripture? Such rampant chauvinism in scripture is, it has to be said, hardly unknown. My posts here already have dealt with the notorious verses in Paul’s [2]pastoral letters which, we now know, are not actually by Paul at all. These particular verses read like a rule book of women’s dos and don’ts as prescribed by the Church, even though they were written by an unknown hand several decades after Paul lived, presumably as an ecclesiastical way of keeping women in their place.

But this phrase does not appear in Christian scripture. It can in fact be read in [3]Surah 2:223, the second Surah of the Quran titled Al-Baqarah (The Cow), which is where I came across it. But perhaps this phrase is just an isolated exception among these Surahs? I read on for a few verses more. At the end of verse 2:228 comes this statement: “And women have rights similar to those of men in a just manner…” Well (I think) this is more reassuring. But then comes the twist at the end: “…and men are a degree above them.” This is again unequivocal. Men, according to the Quran, are a rather more superior class of creation than women.

Men, according to the Quran, are above women in status, and need to be obeyed. But how different would things be if such texts were not written by a male prophet claiming revelation from a male angel who in turn was the representative of a male deity?

Surah 4 of the Quran is titled An-Nisa’ (The Women) and prescribes various guidelines for family, relationship and inheritance issues not dissimilar to such Old Testament lawgiving passages. In verse 4:34 we read: [4]“Men are in charge of women, because God has made them excel the other, and because they spend their property (for the support of women). …As for those (women) from whom you fear rebellion, admonish them and banish them to beds apart, and scourge them…”. If there were any doubts before about how women should be viewed and treated, this verse definitively dispels them. A woman who is kept by a man is at the behest of that man. Any woman who objects to her allotted status is to be scourged. My above dictionary defines this variously as being flogged, whipped or beaten.

The familiar star and crescent of Islam. It is a strange irony that a religion which brands even the idea of goddesses as a grave sin has chosen for its emblem two powerful goddess symbols: the lunar crescent is widely recognized as being associated with goddesses from Hecate to Selene, and because the planet Venus appears to trace out a five-pointed pathway in the heavens, the five-pointed star is sacred to the great goddess Ishtar. 

There are other such examples among the Surahs, but I shall briefly quote one from Surah 4:117-121. These verses are about the error and folly of following other beliefs, and having in the previous verses been assured that whomever [5]opposes the Messenger (Muhammad) shall be ‘exposed to Hell’, we read: “They invoke in His (God’s) stead only females (female deities); they pray to none else than Satan…” In short: other gods are bad enough, but goddesses are beyond the pale, and any respect due to them amounts to Satanism, with ‘they’ in this instance referring to virtually anyone not following Islam. But the goddess manifests through every young girl, every woman, and certainly through every mother, and every last Islamic terrorist owes the gift of his life, his very existence, to the mother who bore him and brought him into the world.

This photo complete with its caption I found on the Web. The caption is a grim nonsense, as perhaps whoever wrote it might have been aware. Why? Under Islamic law the penalty for apostasy – for leaving Islam – is death. The caption therefore ironically verifies what it sets out to deny.

I undertook the writing of this particular post, not as a specific protest against what would seem to be the Quran’s advocating of gender inequality (although that arises of itself out of the material quoted here), but to try and come to terms with, and even to attempt to find reasons for, a news item which I happened to read. The incident, I warn you, is disturbing, and involved a young recruit of [6]Islamic State who dragged his mother out into the street and executed her in public with a single shot. Her crime? She attempted to persuade her son to leave IS. This incident is so many different kinds of wrong that we might struggle to take them in. What is left of our own humanity when we are driven to such an act? What does it say about the beliefs which we profess, both religious and ideological?

Some of the two hundred Christian schoolgirls who have been abducted by the Nigerian Islamic terrorist group Boko Haram. Schoolgirls in particular are targeted because such terrorists oppose any form of education for women. In this sense such Islamic terrorist actions follow the classic pattern of a cult: cut your subjects off from their families, keep them ignorant and make them dependent upon you for their needs.

Barack Obama among others has protested that such inhuman atrocities have nothing to do with the religion which their members profess to follow. I disagree. Were that so, then the followers of IS would be a mere brigandage, bereft of religious adherence. But terrorism in these early years of our century means Islamic terrorism, and the mass rapings of women and young girls by IS are documented. The Nigerian Islamic terrorist group Boko Haram has forced the two hundred Christian schoolgirls it abducted two years ago to convert to Islam and take Islamic [7]’husbands’. In reality, girls kidnapped by this Islamic terrorist group and also by IS either are used for domestic labour, or are themselves forced to commit atrocities, or are used as [8]sex slaves.

Maybe Islamic terrorism is Islamic for a reason. And maybe Muslim [9]attitudes towards women exist for a reason, and the words from the Quran quoted here are as they are: men are superior to women, men have rights over women, and domestic violence towards women is both sanctioned and condoned. When the Prophet Muhammad consummated his marriage to his third wife [10]Aisha he was already into his fifties. She was nine.

Hawkwood      

The Prophet said that women totally dominate men of intellect and are possessors of hearts.
But ignorant men dominate women, for they are shackled by the ferocity of animals.

- Rumi

Notes:

[1] The term ‘Shorter’ in the title is perhaps ironic: the dictionary is necessarily split into two large format volumes totalling almost eight thousand pages.

[2] Please see my post "Behold This Woman".

[3] The chapters of the Quran are known as Surahs (or Suras), with 114 Surahs of various lengths. The verses of each Surah are known as ayahs.

[4] As I have abridged the verse in my post, I will give the verse here in full: “Men are in charge of women, because God has made them excel the other, and because they spend their property (for the support of women). So good women are the obedient, guarding in secret that which God has guarded. As for those from whom you fear rebellion, admonish them and banish them to beds apart, and scourge them. Then if they obey you, seek not a way against them. Lo! God is ever High Exalted, Great!"

[5] The Quran is openly anti-Semitic, claiming in Surah 4:46 that Jews are “…distorting with their tongues and slandering religion.” This verse concludes by adamantly affirming that “God has cursed them (the Jews) for their disbelief.” The imagined sufferings which await such ‘unbelievers’ are dwelt upon in Surah 4:56 with almost lip-smacking relish: “Lo! Those who disbelieve our Revelations, We shall expose them to the Fire. As often as their skins are consumed We shall exchange them for fresh skins that they may taste the torment.” In spite of its anti-Jewish stance, the Quran apparently was still not too proud to borrow the characters of Noah, Moses, Abraham and Lot from the Torah, written some eight to nine centuries earlier.

[6] The BBC has a policy of referring in its news items to Islamic State as ‘so-called Islamic State’ to accurately reflect the fact that the group is not actually a state at all. 

[7] Like Islamic State in the Middle East, Boko Haram in Nigeria wants to establish an Islamic caliphate in their region. To this end they oppose all forms of education which are not strictly Islamic, which is why they specifically target schools, with hundreds of students being killed or abducted. Boko Haram also opposes any form of education for women, as do the Taliban in Afghanistan, which is why schoolgirls are targeted, either to be killed or kidnapped and forcibly converted to Islam.

[8] Moses, who appears both in the Old Testament, the Torah and the Quran, allowed his forces to keep the young girls they captured ‘for themselves’ (please see the Old Testament's Book of Numbers 31:18 and my post Frontier Justice in the Promised Land). So even after all these centuries men are still using religion as a pretext for behaving like beasts towards womankind, and the whole premise that religion of itself makes someone inherently more morally decent and altruistic is a sham.

[9] The co-ordinated mass sexual assaults on women that occurred during the 2015-16 New Year celebrations in Cologne (below), allegedly by males of North African origin, are also relevant here. It would seem that any women who by Islamic cultural standards behave ‘provocatively’ are perceived as having loose morals and are therefore seen as fair game. There seems to have been little awareness among these men that what they did was actually a criminal offence.

[10] These are the ages of Aisha given in paragraph 66, Book 62, Volume 7 of the hadith (commentaries on the Prophet) Sahih al-Bukhari. There is some disagreement about the exact age of Aisha. She apparently was six or seven when she married Muhammed, with the marriage being consummated when she was either nine or ten years old. One commentary points out that it was normal for young girls to be married off at that time and in that culture. But what might be culturally acceptable is not by default morally right, and such an assertion directly contradicts the claim that the Quran is outside of time, and speaks to all ages and all cultures. Clearly it does not. What it reflects is a 7th-century Arabic culture, just as the Old Testament reflects a Late Bronze Age-Early Iron Age tribal culture and its attendant social values. 

DIFFERENCES IN TRANSLATIONS: It is worth noting that various online English translations of the Quran give slightly differing versions from the translation I have used for this post. Indeed, one supplies candidly specific instructions: “2:223. Your wives are a tilth for you, so go to your tilth (have sexual relations with your wives in any manner as long as it is in the vagina and not in the anus), when or how you will…” Or more agriculturally: “2:223.  Your women are cultivation for you; so approach your cultivation whenever you like...” In Surah 4 some coyly translate “scourge” as “beat (lightly)” or “chastise”. But as my dictionary defines ‘chastise’ as ‘to inflict corporal punishment’, it’s really the same difference. And beating is still laying a hand on a woman, however the term is moderated by adding ‘lightly’.

THE ARCHANGEL AND WOMEN: It is worth remembering that the Quran is purported to have been dictated to the Prophet Muhammed by the archangel Gabriel. As with any such claim by any belief, this claim clearly is unprovable, and so falls within the province of religious belief. It nevertheless is reasonable to question the validity of such a claim when this in turn means that the archangel, and therefore God, not only is okay with but actually advocates the treatment of women as quoted above in the Quran.

A MATTER OF PERSONAL HYGENE: What struck me in my reading of the Quran is that, unlike Christian scripture, it clearly addresses itself to a male readership: “your women”, "your wives" etc. To offer one final quote: Surah 4:43 concerns personal hygiene and cleanliness, and advises: “And if you be ill, or on a journey, or one of you comes from answering a call of nature, or you have touched women, and you find no water, then go to high clean soil and rub you faces and your hands (therewith). Lo! God is Benign, Forgiving.” We might trust that God also is benign enough to forgive those who compare touching women with washing your hands after going to the toilet. 

Sources:

The Shorter Oxford English Dictionary on Historical Principles. Oxford University Press, revised edition 1980.

The Quran Translated: Message for Humanity. Based on the English translation of M. Marmaduke Pickthall. Revised by: International Committee for the Support of the Final Prophet. Washington, D.C., 2005. I will restate the point made previously on this blog: irrespective of my own beliefs, I treat all books in my possession which are regarded by others as religious texts with due care and equal respect.

Islamic State militant 'executes own mother' in Raqqa. BBC News website, 8 January 2016. Retrieved on 19 March 2016.

Terrorists kidnap more than 200 Nigerian girls. USA Today, April 21 2014. Retrieved on 19 March 2016.

Photos from Reuters, AFP/Getty Images, Colourbox and uncredited sources.

Isis in Paris

In the year 1514 the archbishop of the abbey of [1]Saint-Germain-des-Prés, then situated on the outskirts of the city of Paris, ordered a statue in the abbey to be removed and destroyed. The statue must have seemed innocuous enough, for it had the appearance of a typical Madonna and Child. The statue was known to be old – dating from the time when Paris was largely a Roman city. And that seems to have been the problem – at least in the eyes of the archbishop. The statue’s age dated it to pre-Christian pagan times, and there was no place for a pagan statue in a Christian house of worship, however much it might resemble the Holy Mother. And so the offending statue was duly removed and smashed to pieces.

The Roman Isis. The sheaf of corn on her crown links her to Ceres/Demeter. The sistrum which she holds, a jingling temple rattle unique to this goddess, is missing from this statue and has here been recreated digitally from a similar statue of Isis.

And that is how the last known remaining relic that once was housed in the temple of the goddess Isis came to meet its end. Churches in Europe were often built upon the pagan places of worship which the new faith destroyed, and so it was with the abbey. Fourteen years before the abbey existed there was a previous church on the site, and thirty-three years before that – as late as the year 509 – there stood a temple dedicated to the goddess Isis. The foundations of the abbey rested upon the remains of this ancient temple, and the statue closely resembling the Madonna and Child which the archbishop ordered to be destroyed was actually a Romanized version of the goddess Isis nursing her infant son, the god [2]Horus.

Spot the difference. At left: a Romanized version of Isis with the infant Horus. The statue which the archbishop ordered to be destroyed would have been very similar to this one. Centre: the present statue of the Madonna and Child in the abbey of Saint-Germain-des-Prés which would have replaced the destroyed statue. At right: the original Egyptian  'Isis and Horus' version of this theme, the archetypal template ‘Mother and Child’ from which all subsequent versions could have been derived.

Unlike the forces of Christian orthodoxy, the empire-building Romans apparently were happy-enough to absorb the deities of other religions into their own pantheon. Under Roman rule, Anubis, the Egyptian jackal-headed god of the dead, sported the armour of a Roman general, and Isis, the great mother goddess, took on the appearance of a Roman [3]noblewoman. But this Romanized version of Egyptian Isis also absorbed something of the culture of Ancient Greece, having some of the attributes of the Roman goddess [4]Ceres, whom the Greeks knew as Demeter.

The ugly face of iconoclasm. The granite tomb in the Dom church in Utrecht which is - or was - the effigy of Guy van Avesnes, bishop of Utrecht in the 14th-century, defaced by Dutch anti-papal Calvinists in the 17th-century. Iconoclasts might destroy an image, but the idea behind the image lives on.

Iconoclasm – the deliberate destruction of the objects of a belief to which the destroyers are opposed – is nothing new. It was practiced here in the Netherlands during an event in 1566 known as the [5]‘beeldenstorm’, in which supporters of the new anti-papal Calvinist-Protestantism stormed Catholic churches and destroyed the ‘idolatrous’ statues of the Virgin, saints, and any other items which they considered even to vaguely fall into this ‘blasphemous’ category. And it continues to be practiced in our own contemporary world with the destruction by Islamic State of the irreplaceable cultural treasures of [6]Syria and Iraq, which it also regards as ‘blasphemous’. But what does iconoclasm actually achieve? If you destroy a statue, do you also destroy the idea which that statue represents? Hardly. The physical statue, even the building, might lie in pieces, but the idea still exists, and ideas, like the gods themselves, have proven astonishingly resilient over time. And so it has been with Isis.

The nurturing Isis of the Bastille is hailed by an enthusiastic crowd at her inauguration in 1793. At right: Isis holding her sistrum as she appears on the façade of the Louvre. 

As an underground river continues to flow unseen, so the spirit of the goddess Isis apparently has continued to flow through the city of Paris. How else to explain the wealth of symbols associated with the goddess which insistently push their way to the surface? In August of 1793 a huge statue known as the Isis of the Bastille was inaugurated. The seated female figure spouted water from her breasts to symbolize the nourishment provided by the goddess to her citizens. A bass relief statue of Isis which faces the rising sun decorates the façade of the Louvre. The Louvre itself is orientated along an axis which extends towards a point on the horizon from which rises the star Sirius, the star sacred to Isis. The city’s coat-of-arms commissioned by Napoleon featured a ship with Isis being led by that same star.

The colossal pyramid proposed by the French architect Éttiene-Louis Boullée. Boullée’s genius produced projects that were more visionary than practical, and this towering structure was never realized.

And signs of the original culture from which the goddess sprang are ubiquitous in the city. There is the actual obelisk brought from the Egyptian sacred site of Luxor. There have at various times been pyramids. The unique genius of the architect Éttiene-Louis Boullée proposed a monumental pyramid ‘in the Egyptian style’. The pyramid was never realized – although the elegant [7]glass pyramid at the Louvre by architect Ming Pei has become a familiar landmark. During the Napoleonic era the rage for all things Egyptienne was in full swing. And the city plan itself is modelled on that of Luxor, with the same axes of alignment as its sacred counterpart. Significantly, the city has a specific gender. Paris is not an ‘it’. Paris is definitely a ‘she’.

Yet another grand pyramid, this time designed to be built in the grounds of the Louvre for the centenary celebrations of the Republic in 1889. A hundred years later the glass pyramid for the Louvre by Ming Pei has become a familiar landmark.

Terrorism is the bluntest of blunt instruments. It ranges itself against forces which it has little to no hope of ever actually defeating. The machineries of state are simply too powerful, too overwhelming, with all the massive resources and information, both covert and conspicuous, that governments and their armed forces have at their command. That is why terrorism is as it is: it can only ‘achieve’ some sort of an impact through the brutally crude tactics of shock and human grief. I doubt that anyone reading this post down to this paragraph will now be unaware of the irony that an acronym for Islamic State is ISIS – the Islamic State of Iraq and Syria. The title Islamic State is itself a misnomer. It is of course anything but a ‘state’, and the inclusion of that word in its title is more of a wishful dream for its dubious future than an indication of anything which it has actually achieved.

French armed forces patrol in front of the glass pyramid in the grounds of the Louvre following the November 2015 attacks by Islamic State.

So why, of all the major European cities, did Islamic State last month choose to target Paris? There clearly was an active terrorist cell there with connections to other such cells in Brussels, and that cell laid its plan and followed through with that plan, and innocent men and women, many of them with most of their lives still ahead of them, were killed. In Paris the outcome was multiple murder. In the Middle East, Islamic State also have included torture in their ‘doctrine’. But apart from their iconoclasm and [8]torture, what tends to be overlooked is how deeply misogynist Islamic State is: Islamic terrorism is also specifically a campaign of violence against women.

Rape has been a consistent weapon used against the women who have been the victims of Islamic State. Violence against women is as much of a practice by IS as any of its other crimes. Knowing the above history and connections which Paris has to the goddess, what does emerge is that there is a lingering sense that, however unconsciously, the Paris attacks were a violation, certainly against the innocent citizens there, but also against the ‘she’ that is Paris.

A single rose placed in a bullet hole in a pane of glass fronting one of the restaurants that were attacked. The bullet hole has itself been enclosed by a painted heart. The simple but expressive gestures hint at a force which the brute power of mere bullets can neither comprehend nor withstand. 

Smashing a statue to pieces might have satisfied the archbishop’s affront at such a ‘pagan’ presence in his abbey. But what subsequent history establishes is that it is as if the goddess herself has arisen as a presence in the city even more assertively than when her temple stood on the south bank of the Seine. Whether you believe in gods and goddesses or not, whether you hold a belief in a deity – any deity – or not, what circumstances reveal to us is that there would seem to be forces – archetypes, if you will – so powerful, so assertive, that they will push their way through to our consciousness and manifest themselves in whatever forms they choose to adopt. The goddess Isis was not a statue. She was not banished by a mere archbishop, but lived on, creating new forms for herself in the hearts of her citizens. And Parisians are no more likely to bend a knee to terrorism than a goddess would deign to bend a knee to a mere mortal.

A sea of candles in a Paris street lights the faces of those paying tribute to the victims. The delusion of terrorists is to imagine that they are in control of the forces which they unleash, and that their actions will lead to a specific goal. But when the blunt instrument that is terrorism lashes out, the perpetrators are no more capable of foreseeing the eventual consequences than their innocent victims.

[9]Terrorism, it seems, is fighting against some power which makes all other forces pale by comparison. It is not the entrenched power of installed governments and the armed forces which those governments deploy. It is greater even that that. It is an ineffable, invisible something, and you cannot fight what you cannot see. Whatever that something might be, it evidently has survived for thousands of years, and has outlived all attempts by mere archbishops and others to subdue it. So perhaps you had better hope that you have the goddess on your side, because her anger is as dark as her heart is loving.

Hawkwood 

But I, I am compassionate and I am cruel.

Be on your guard!

I am the one whose image is great in Egypt

and the one who has no image among the barbarians.

~ from the text [10]Thunder, Perfect Mind

Notes:

[1] Literally: Saint-Germain-in-the-Fields.

[2] The Greek name for Horus was Harpocrates, known as the god of silence. The name derives from an approximate Greek version of the Egyptian phrase Horus the Child. 

[3] Please see my post The Emperor and the Eye of Horus for more examples of these hybrid deities and the way in which they persist and continue to exist in our culture.

[4] Ceres, the goddess of harvests and the fertile earth, still survives in our own world when we use the term ‘cereal’.

[5] Freely translated as: ‘Storm against statues’.

[6] Please see my post Empires of Sand, Empires of Dust for a more comprehensive coverage of these events.

[7] The urban legend fuelled by Dan Brown’s The Da Vinci Code that the pyramid contains 666 panes of glass – the ‘number of the beast’ in the Book of Revelations – is a fallacy. The pyramid contains exactly 673 panes.

[8] To name just one instance: the ringleader of the Paris attacks, Abdelhamid Abaaoud, who was later shot dead by French special forces, had in Iraq dragged people to death behind his vehicle.

[9] Terrorism in the context of this post means Islamic terrorism. In fact, terrorism these days does mean Islamic terrorism: a pointer, if any were needed, to the single major achievement of terrorism in our 21st-century world: that it has succeeded in making its religion synonymous with acts of terrible inhumanity which are perpetrated in the name of that same religion. In so doing, it has given decent Muslims the unenviable task of dragging the Quran out of the moral gutter where it has been dumped by those criminals acting in its name. Clearly the most effective way of achieving this is for all other Muslims vociferously and robustly to condemn such acts and those who perpetrate them, and it is heartening that many, including the legendary Muhammad Ali, are now doing so. When inhumanity in the name of a religion reaches such extremes, to keep silent is tacitly to condone such extremes, and a tacit silence can only further undermine the foundations of that religion. Misguided demonstrations such as the one seen at left might not be keeping silent, but the damage they are doing to the image of their own faith is real enough. 

[10] As translated by George W. MacRea. This powerful text remains unique among those found at Nag Hammadi in Egypt in 1945, the find which has given us access to many Gnostic and proto-Christian texts which had been lost for 1,600 years. The first-person narrator is unspecified, but the context and style allows us to assume a connection both with Isis and with Sophia, the female embodiment of Wisdom. 

Sources:

Graham Hancock and Robert Bauval: Talisman: Sacred Cities, Secret Faith. The Penguin Group for Michael Joseph, 2004. Most of the examples cited in this post of Isis the goddess and Ancient Egyptian culture in the city of Paris are taken from this title, which itself cites many more, complete with detailed expositions which this post only briefly mentions. It is difficult to over-emphasise the importance of this book for me personally. My first reading of it some ten years ago was my own wake-up call that history – more specifically, Church history – was not as I had imagined it. Reading for the first time about the atrocities perpetrated by the rising forces of Catholicism, and directly instigated by the papacy, against the Gnostics, and a millennium later also against the Cathars (please see my post A Dark Crusade), which were on the scale of a Holocaust, came as a shock that was mind-numbing to experience.

This is bearing in mind that the authors are dealing, not with a mere personal interpretation of events, but with what actually is part of recorded history, and whose events are related in many other titles dealing with these subjects. That sense of shock reverberated on, and eventually would give rise to this blog, which itself attempts to be a serious investigation into why we believe what we believe, who gets to decide what is ‘correct’ for us to believe, and ultimately, what ‘faith’ actually is.

Empires of Sand, Empires of Dust

Her wrists are shackled, not with iron, but with a chain of gold: an acknowledgement by her captors of her high status. The golden chains are perhaps a mixture both of respect and of irony: respect for this woman’s considerable achievements, and the underlying irony that chains are still chains, whether of [1]gold or of unyielding Roman iron. Queen Zenobia of Palmyra gazes for the last time over her beloved city before being escorted to Rome to be paraded through the streets prior to her [2]execution. The establishing of her own Palmyrene Empire and the revolt which she has led against the might of Rome has at last been crushed, and the sun will surely continue to shed its light upon the eternal empire of the Caesars for as long as the world lasts.

Queen Zenobia gazes for the last time upon her beloved city of Palmyra, as portrayed by Herbert Schmalz in the 19th-century. Her declaration of independence from Rome and the expansion of her empire as far north as Asia Minor and as far south as Egypt became a threat to Rome which could not be ignored.

Well, as we know, Roman rule proved to be rather less eternal than any Caesar preferred to imagine. Less than a century and a half after Zenobia was defeated, the [3]Christian Visigoth Alaric rode with his army into the forum of Rome and put an end to imperial Roman domination forever. The events of history should chasten us. In history, nothing is less certain than the status quo: change is always coming, and history contains constant reminders of the folly of imagining that things will simply go on being the way they are. The truth is of course that, human pride being what it is, we usually prefer to imagine (and probably firmly believe that) our values will endure, whether those values come in the form of political power, empire building, or a particular religious belief – or a mix of all three.

Palmyra in the last half of the 3rd-century. Zenobia extends her Palmyrene empire to become a serious rival to Roman rule. Palmyra occupied a privileged location at the junction of major trade routes connecting to the silk road eastward (shown above in red). These connections made the city affluent, sophisticated and cosmopolitan, with the harmonious blending of different cultures being reflected in the city’s art and architecture.

As recently as the end of last [4]month Islamic State militants continued their destruction of Zenobia’s Palmyra. Having already demolished with explosives the beautiful Baalshamin temple, the city’s elegant Roman arch and other sculptures and monuments, the militants switched to a new tactic by combining their two crimes – the one cultural, the other humanitarian – into one, by tying their captives to the city’s columns and then blowing up the columns. As with their destruction of other irreplaceable cultural treasures, IS justify their actions by claiming that such artefacts are ‘idolatrous’, and therefore an affront to their Islamic beliefs. It is an easy option to dismiss such a hollow justification with contempt and revulsion, but if such a course is taken, what tends to get overlooked in the heat of negative emotions is what ‘idolatrous’ actually means in practice.

The Baalshamin temple, the principal temple in Palmyra. Baalshamin was the principal deity of Palmyrene beliefs. Current status: destroyed by Islamic State militants.

In the context of religious belief we tend to think of ‘idols’ as being of carved wood and stone: actual objects of worship that we either bow down to or seek to destroy, depending upon the fervour of our own beliefs. But is an idol always a thing of stone or wood? Religious idols can take other forms. Consider a Christian Fundamentalist who believes unquestioningly that everything in scripture is the direct revealed word of God, and therefore is flawless and final. Scripture has in such a case shifted from being a thing of spiritual revelation to being uncritically and blindly accepted en bloc, with any scholarly assessment of such texts’ editorial compilation within a historical context being roundly disregarded or – perhaps even worse – dismissed as a subject of mere irrelevance. In such a blindly uncritical situation such texts have become an idol in themselves, with such fatuous fundamentalism becoming degraded from sincere religious belief to the level of mere idol worship, the idol in this case being, not of wood or stone, but of words.

The lion of Al-Lat, the most massive and imposing sculpture in Palmyra shown in its restored state. Current status: destroyed by Islamic State militants.

When seen in this light, Islamic militants are themselves idolatrous: the Quran, rather than being perceived as a religious text, has been degraded to the form of an idol that is blindly and uncritically glorified at the expense of their own humanity. For such militants, the Quran has been ‘idolized’. We might commonly refer to the religious extremists who carry out such inhuman acts as mass rape and beheadings as ‘barbarians’, but they have made themselves barbarians in a literal as well as in a metaphorical sense. There can be no such thing as ‘religious extremism’, because when religion takes such extreme forms it follows a darker god to become something other than religion – even when it is done in religion’s name. Religion without humanity is barbarism, and if you follow your religion to the point where you lose your humanity, then you have by default also lost your religion.

The Roman triumphal arch in Palmyra, an elegant example of Roman secular architecture. Current status: destroyed by Islamic State militants.

The recent destruction of the buildings in Palmyra by Islamic State is hardly the first time in history that opposing forces have targeted architecture. The invading Persians sacked the Acropolis in Athens. Under the political will of Pericles it was rebuilt the following generation, but when Alexander with his conquering army reached the beautiful Persian capital of Persepolis he exacted a terrible [5]retribution for the destruction of the Acropolis, ordering his troops to raze the city to the ground. They did, and one of the most treasured and comprehensive – and irreplaceable – libraries of that time was consigned to the flames. Unlike Persepolis, the Acropolis rose phoenix-like from the ashes – only to be sacked once more seven centuries later by [6]Christians who were all-too-eager to dismantle this seat of pagan worship.

Palmyra’s magnificent amphitheatre would have been used for staging oratory performances. Current status: now used as an execution ground by Islamic State militants. 

Palmyra itself, known as the Venice of the Sands, represented a perfect flowering of different cultures, with an aesthetically successful and unique blending both of Roman, Palmyrene and Persian influences in its architecture. What makes its destruction different is that almost two thousand years later, up until earlier this year, it existed as a partial yet still magnificent ruin in our contemporary world. Its special status as a UNESCO World Heritage site effectively means that it was being preserved in trust, as the collective cultural heritage of you who are reading this, and of future generations to come. But it is always so much easier to destroy something than to build it, and in this sense Islamic State has squarely chosen for the easy option.

Originally sculpted as a funerary bust, this carved limestone portrait of a Palmyrene noblewoman speaks of all the refinement and sophistication of Palmyrene arts and the citizens who created them. Current status: in the collection of the British Museum, London.

So what happens now? Having survived for almost two thousand years, the most beautiful buildings of Zenobia’s beloved Palmyra have been reduced to dust and rubble, and the sand of its [7]amphitheatre is stained with the blood of those executed by the will of IS extremists. IS might rise further in its own brutalising attempt at empire building, or it could collapse internally, with no stable political or bureaucratic infrastructure in place to consolidate what has been gained by blood and terror. History can at times seem very impatient to introduce change, with rapidly-moving events appearing to happen at whirlwind speed – and it also can bide its time, and change can seem slow in coming. But change will come eventually as day follows night. In a hundred, or a thousand, or [8]six thousand years, historians will record the dim memory of half-forgotten and long-obsolete beliefs, and the pages of the Quran will have long blown away on the indifferent desert winds.

Hawkwood

Khaled Asaad and Kayla Mueller

THE HUMANITARIAN CRIMES OF ISLAMIC STATE: This post focuses generally upon the cultural crimes of Islamic State with relation to the buildings in Palmyra, but mention must also be made of its humanitarian crimes. Khaled Asaad, the 82 year-old Director of Antiquities at Palmyra, was tortured for several weeks in an attempt by IS to force him to reveal the whereabouts of cultural treasures hidden at the site. He refused and was subsequently beheaded, after which his body was hung from the ruins which he had spent a lifetime’s career preserving. The selling of such cultural artefacts on the black market has been a way for IS to fund its operations. IS treats systematic rape almost as a doctrine, the captured U.S. aid worker Kayla Mueller being just one of many such victims of the IS leader Abu Bakr al-Baghdadi before he murdered her. The Palmyra amphitheatre has since May of this year been used as a place of execution by IS. Shortly after they overran Palmyra IS executed three hundred local men whom they considered to be ‘pro-government’. This mass execution was followed by a second: the massacre of another four hundred local residents, most of them women and children. With the exception of the murder in Iraq of Ms Mueller, all of the above atrocities by Islamic State took place in Palmyra. Similar atrocities have taken place in Iraq and elsewhere.

In the Palmyra amphitheatre teenage members of Islamic State stand behind soldiers of the Syrian army who were executed by them moments after this photo was taken.

A QUESTION OF RESPECT: A bizarre echo of what is happening in Palmyra is taking place right now in the very heart of the Muslim world. Since the mid-1980’s the Saudi authorities have seen fit to destroy some 95% of all historic buildings in Mecca (including several important mosques) dating from the time of the prophet Muhammad to make way for new hotels, apartments, shopping malls and parking lots. The question has to be asked: how can a religious culture be expected to respect the historic value of other cultures when it clearly does not even respect its own?

The most holy place in all of Islam is now dominated by a colossal brooding hotel.

PALMYRA AND ECONOMIC REALITY: In terms of the tourist economy of the country, Palmyra was a golden egg for the Syrian government and a local source of income. But for the future to come, in whatever form it takes, who is going to want to visit a sad and bloodstained pile of rubble? Even given a worst-case scenario in which Islamic State actually introduces its ruling caliphate in the region, it has now effectively cut itself off from this lucrative source of income. It does not take an economic genius to figure out that alienating governments, both regional and beyond, is a short-term road to long-term economic disaster. Religious fundamentalism and myopic idiocy are horns on the same goat: a lesson of history which fortunately seems to be lost on the militants of Islamic State.

Notes:

[1] Zenobia’s gold shackles are not a fictional fancy: a contemporary account mentions her wearing such chains when she was paraded through Rome.

[2] Zenobia’s fate in Rome is uncertain, with one account having her marry a Roman senator and becoming a familial matriarch. But Roman punishment for insurrection and the need to set an example to others being the ruthless beast that it was, it does seem more likely that she was executed. Unlike the political puppet masters of our own world, Zenobia belonged to an age when the person who opened hostilities was the same person who led the troops into battle. Zenobia seems to have been a true amazon, accompanying her troops on foot during marathon marches.

[3] Alaric seems to have kept a foot in both camps, adopting Christian practices while still finding room to follow pagan beliefs.

[4] BBC News report of 27 October, 2015: ‘IS blows up Palmyra columns to kill three captives’.

[5] Alexander’s ruthless destruction of the Persian capital would seem to be the very definition of the ‘what goes around comes around’ dictum. It could be that in an indeterminate future some new fanatical religious sect will desecrate the Kaaba in a long-deserted Mecca. The famous Black Stone set into the Kaaba already has been smashed to pieces in medieval times, which is why it is now encased in a silver mount (right). Not unsurprisingly, those who carried out this destruction were members of an extreme Muslim sect. Also unsurprisingly, IS have threatened to destroy the Kaaba as an 'idol of stone'.

[6] I have no illusions about this incident in history. Had explosives been available at that time the Parthenon would have been reduced to dust and rubble indistinguishable from the dust and rubble that once was the Baalshamin temple in Palmyra. 

[7] Teenage boys belonging to IS execute prisoners in the Palmyra amphitheatre.

[8] This time frame of 6,000 years in the future I have borrowed from my post All Things Must Pass (left). I have chosen this specific time frame because it is as distant from our own time as we are from the beginnings of civilization in Sumer. Such a span of time is clearly beyond our imagination. What once were living religions (the gods of Olympus, Odin and Valhalla, etc.) are now seen by us as mythologies, so it is only reasonable to presume that the religions of our own world will become the mythologies of an unimaginable distant future.

Sources:

New York Times, 14 August, 2015: ISIS Held Kayla Mueller, U.S. Aid Worker, as Sex Slave Before Fatal Air Strike, by Rukmini Callimachi. Retrieved 3 November, 2015. (IS had previously claimed that Ms Mueller had been killed in an allied air strike, before the truth of what had happened was learned from two other young women who had managed to escape.)

The Independent, 19 August 2015: Isis executes Palmyra antiquities chief and hangs him from ruins he spent a lifetime restoring, by Adam Withnall. Retrieved 3 November, 2015.

BBC News, 5 October, 2015: Islamic State ‘blows up Palmyra Arch’. Retrieved 1 November, 2015.

BBC News, 27 October, 2015: IS ‘blows up three columns to kill three captives’. Retrieved 29 October, 2015.

Mail Online, 24 May 2015: ISIS slaughters 400 mostly women and children in ancient Syria city of Palmyra where hundreds of bodies line the streets, by Kate Pickles. Retrieved 4 November 2015.

The Independent, 17 February 2014: Mecca for the Rich: Islam’s holiest site ‘turning into Vegas’, by Jerome Taylor. Retrieved 4 November, 2015.

Photo of the Palmyrene funerary bust by PHGCOM. Photo of Kayla Mueller by Matt Hinshaw for the Daily Courier via Associated Press. Photo of Khaled Asaad, the lion of Al-Lat and executions in the amphitheatre from Getty Images. Other photos from uncredited sources. Map prepared for this post by Hawkwood for the David Bergen Studio © All Rights Reserved.

For an excellent virtual tour of Palmyra you can visit Tito Dupret's site here and wander around the city as it was before Islamic State occupation. Such comprehensive documentation of these monuments which no longer exist has now become doubly valuable, and historic in itself.

The Mermaid of Haarlem

The year 1430 was one of turmoil and strangeness. In France Joan of Arc was captured by Burgundian forces and burnt at the stake. Further to the north in the Lowlands, within the borders of what was then the Holy Roman Empire, terrible storms were raging. The gales were so strong that the dykes which protected West Friesland were breached, and the North Sea broke through and flooded the farmlands. But these storms were not all that visited the country. Among the many fish left stranded on the farmlands (if we believe the wondering [1]accounts written at the time) was a mermaid.

The mermaid painted by 19th-century English artist Annie Louisa Swynnerton. The artist was active in the Women’s Rights movement of the time, and her mermaid seems to embody those positive qualities of female empowerment, so different in approach to the winsome and youthfully-sweet mermaids painted by her Victorian male contemporaries John William Waterhouse and Herbert Draper. This mermaid knows who she is, where she is going, and how to get there.

A group of women gathering the stranded fish for an easy meal apparently discovered the unfortunate creature floundering in the shallow waters. Astonished (as well they might be), they somehow managed to carry the marvel to dry land, where she was eventually transported to the city of Edam (presumably by boat to the western coast of the Zuider Zee - see my map below), and from Edam to the city of Haarlem.

The mermaid’s journey. Following her capture in the flooded farmlands of Friesland, the mermaid was taken first to Edam and then to Haarlem. The coastlines are those of the 15th-century, before the extensive land reclamation from the sea of later centuries, with the names of the then-Lowlands provinces shown in green. The Zuider Zee is now a large lake known as the Ijsselmeer, and reclaimed polderlands have diminished its size still further.

The Mermaid of Haarlem, as she became known, was provided with good Christian clothes with which to suitably cover her heathen nakedness, and seems to have settled down to this new life away from her watery home. She also seems to have adapted her diet to one of cooked meat, and was taught to spin yarn, and to pray and to make the sign of the crucifix. In short: the mermaid was provided with the essentials for a life in the Christian community in which she now found herself.

This portrayal of Mary Magdalene reading by Rogier van der Weyden is contemporary with the mermaid’s story. In Mary’s resigned features and in her dress of the artist’s period and place we might glimpse a vision of how the mermaid could have appeared during her new life on land. Unable to read, the mermaid could only have looked wonderingly at the unfamiliar pictures in such scriptural texts. The inset shows a small personal crucifix of the type that would have been presented to the mermaid.

But these outward trappings of her surroundings do not seem to have erased her essential nature. Apparently she always retained a longing for her watery home, and every attempt to teach her even the essentials of human language resulted only in stubborn silence. How many years she spent as a half-reluctant member of her adopted community is not recorded, although we are told that on her death she was given a full Christian burial. Ah: if only we knew of her burial place! Would an exhumation reveal a marvel, or merely a prosaic disappointment?

Let us suppose (because it is what we would like to believe) that the story is true. Did the mermaid truly have some sense of Christian reverence when she crossed herself, or was she merely mimicking the actions of those around her? And how strangely alien and awkward the wearing of clothes must at first have seemed to her. And what apparently was her resistance to human speech might have been more to do with her inability to speak at all, for who knows the ways in which mermaids communicate with each other when swimming in their watery home?

Religions in Europe during the mid-15th-century. Martin Luther’s Protestant Reformation was still a century in the future, as was the reign of Henry VIII in England, whose rejection of Papal authority would shrink the borders of Catholicism still further. The Lowlands, yet to become the nation of the Netherlands, was part of the Holy Roman Empire, whose defined borders are shown here. The Iberian Peninsula was divided up into its own kingdoms, but Islam in the shape of Moorish culture and belief still had a foothold in the south of Spain. At this time the areas of the Ottoman Empire shown on the map had a majority Christian population ruled by an Islamic minority. 

Now let us suppose (because we also need to embrace prosaic probability) that the mermaid’s story, although perhaps having some basis in fact, was not what it seemed. In a [2]previous post I mention the likelihood of stories originating from something, which confronts us with the possibility that the ‘mermaid’ existed – but that she was not actually a mermaid. Such stories do not grow out of a vacuum, and perhaps the ‘mermaid’ was in reality a feral human. Significantly, no mention is made of the woman actually having that distinguishing feature of her kind: a fish’s tail in the place of human legs. She was not found swimming at sea, but rather was rescued from the flooded farmland. Her wild and naked appearance would have been enough for the mindset of the time to see her floundering in the watery shallows and think: ‘mermaid!’ Stories of such feral humans in Europe and elsewhere have been [3]documented, so to my mind this scenario is certainly a likely possibility.

A feral girl as imagined by contemporary Belgian artist René Hausman. The painting echoes such cases as the life of 18th-century Marie-Angélique Memmie le Blanc, known as the Wild Child of Sogny. Born Native American, Memmie came to France as a young girl and became lost in the French forests when she was nine, only to be discovered by villagers ten years later in a state of feral wildness.

How we interact with these feral humans confronts us, not so much with their wildness, as with our own civilized selves. Our first impulse is to clothe them, to teach them the rules of modesty and [4]shame which have filtered down to us from Eden. We next seek to make them, in whatever ways are necessary, adopt our own standards, beliefs and moral codes. In short: what we recognize in the mermaid’s story is the desire, however [5]well-intentioned, to want to change someone to be like us.

We resist that otherness which makes someone special, which makes them the unique individual that they truly are. We want someone to share our own beliefs, because that is a way of confirming to ourselves that the things in which we believe must be ‘right’. We misguidedly imagine that we can improve someone by persuading them to believe what we believe, and to think as we think. But is such persuasion a form of conversion, or a form of coercion? We might excuse the actions of her captors towards the mermaid as belonging to the attitudes of 15th-century Catholic Europe, but such attitudes persist. [6]Mormons or Jehovah’s Witnesses who come [7]knocking on your door are in their intention no different from the goodwives of Haarlem who taught the mermaid how to make the sign of the cross.

A mermaid, as imagined in the 19th-century by Danish-Polish artist Elisabeth Jerichau-Baumann. This mermaid seems sculpted from the very ocean. Serene and impassive, self-assured and yet detached from and seemingly-indifferent to us, her observers, she defies us to deny her existence.

Almost six centuries is a long time: long enough for us to wish that the story of the mermaid might just be true: long enough for us to hope that the story perhaps has a grain of substance. We seem to need mermaids and other fantastic creatures, but what also touches us about her story is the notion of exile. The mermaid of Haarlem was a stranger in a strange land. We need not ignore such differences in others. Strangers are not different from us, but are merely a different us. And it is a sad truth that, if ever we did discover a real stranded mermaid, it seems that the very last thing that we would do, the least likely thing that might occur to us, would simply be to promptly help her to return to her own ocean home.

Hawkwood

    

My grateful thanks to Emma for allowing me to borrow substantially from her own post on this subject. Emma’s blog Sophia's Mirror can be visited here.

Notes:

[1] This is the original story of the mermaid as described in a 19th-century journal, which itself is a copy of other earlier accounts. There is something unnerving about the account’s referring to the mermaid as ‘it’ instead of ‘she’: “So, also, the Mermaid reported by Johannes Hondius, as taken by some women in the meadows at Edam, in West Friesland, where it had been brought by the sea which entered through the broken dykes, during the great tempests in 1430. That Mermaid was taught to spin. Moreover, it was dressed in female attire, fed on cooked meat, had some notion of a deity, made its reverences when it passed a crucifix, lived some years at Haarlem (though it ever retained an inclination for the water), and was allowed at its death a christian burial; and yet all efforts to teach even that Mermaid to speak proved ineffectual. It is this Haarlem Mermaid only (though without her clothes) that is represented upon our signs and in our coat-armour.” ~ Abridged extract from: The Asiatic Journal and Monthly Register for British India and its Dependencies, vol. XV, January to June, 1823. London.

[2] Please see my post Renaissance Snuff.

[3] Please see Michael Newton’s title below.

[4] Please see my post Shame.

[5] And "the road to Hell is paved with good intentions" - a pearl of wisdom that apparently originated in the 12th-century, and was therefore even current in the mermaid's day.

[6] Formally known as the Church of Jesus Christ of Latter-day Saints, which is their  own preferred title, but which, it must surely be admitted, is not one which trips readily off the tongue. Hence: Mormons, after the father of the angel alleged to have appeared to their founder, Joseph Smith.

[7] Please see my Pocket Guide to Proselytizing.

Sources:

Michael Newton: Savage Girls and Wild Boys: A History of Feral Children. Faber & Faber, 2002. Michael Newton’s commendable and sympathetic book documents various cases, and critically examines both the discoveries of such cases and the attitudes of those into whose care they are received. Spanning several centuries, the author demonstrates that social and scientific methods might change, but basic attitudes do not, with inter-departmental social welfare rivalries, the quest for scientific accolades, and academic concerns often-enough taking precedent over simple human compassion.

The painting by René Hausman appears on the flyleaf of the hardcover edition of the graphic novel Laïyna, written by Pierre Dubois and illustrated by René Hausman. Published by Dupois in France, 1987, and published in Belgian and Dutch editions the same year. The book was subsequently re-issued in the Netherlands under a different title, although only the first edition features this painting. Hausman’s loose watercolour style is unique in the genre, and positively crackles with life and energy.

The painting of Mary Magdalene by Rogier van der Weyden is in the National Gallery, London. The small 15th-century crucifix is in the collection of the Museum of London. All referenced graphic novels are in my collection.

I soon discovered that different maps of the period tended to conflict with each other, and a variety of different sources were used to create the two maps featured in this post. The map of Religions in Europe in particular needed a lot of deft rechecking, which is understandable when one considers the labile shifting political alliances of the time (and I swiftly jettisoned one map as reference which claimed a swathe of Europe for Protestantism a century before it happened!). Nevertheless I feel that my maps accurately depict what their titles claim. 

A Footnote: The title page of this 18th-century songbook (left) printed in Haarlem continues to get mileage out of portraying one of Haarlem’s most famous citizens, however fictitious she might prove to be. The translation is: “The entertaining OUTDOOR LIFE, or the Singing and Playing FARMER’S JOY, Enriched with the art of Singing, and for the ease of the Players tuned to the key of G.”